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La universidad "online" obtiene mejor nota
Un reciente estudio de la consultora SRI International para el Departamento
de Educación de los EEUU señala que la enseñanza
universitaria en línea produce unos resultados similares a los de la
enseñanza tradicional, en tanto que un modelo híbrido (es decir,
el que utiliza las clases de toda la vida con el uso de nuevas
tecnologías para la educación a distancia) llega incluso a
producir unos resultados netamente mejores.
No se trata, dicen las conclusiones, de que el ordenador tenga algún
tipo de efecto mágico, es decir, que el modelo en sí sea
más efectivo, sino que el uso de esas herramientas en la
educación suele implicar que el alumno dedica más tiempo al
estudio, que busca información adicional por su cuenta, la comparte,
colabora y, en definitiva, es más propenso a tomar las riendas de su
propio aprendizaje en lugar de ser un sujeto pasivo y muchas veces
anónimo en medio de una clase llena (a veces excesivamente) de
alumnos. Objetivos que, por otra parte, lleva décadas reclamando
la investigación educativa para la enseñanza en general,
recuerda el experto en educación Rodrigo Juan García.
(...)
Asignándoles valores a las diferencias de aprendizaje (medidos
mediante test fiables) de cada uno, el resultado es que la enseñanza
puramente online produjo un efecto ligeramente mejor que la presencial
(una desviación favorable de 0.14 medida entre 0 y 1) en los
resultados, pero que la combinación de elementos online y
presenciales es significativamente más efectiva (con una
desviación de 0.35).
Review of The Conservatives: Ideas and Personalities Throughout
American History
Peter Berkowitz reviews the book written by Patrick Allitt on American
conservatism.
Both the quest for purity and the quest for unity are misguided. This is
because modern conservatism in general and certainly American conservatism in
particular is a paradoxical orientation. The central paradox pervades the
writing of Edmund Burke. Rightly recognized as having informally and
unofficially but powerfully launched modern conservatism in 1790 with his
Reflections on the Revolution in France, Burke cherished two
fundamental goods, liberty and tradition, that do not obviously cohere and
sometimes ovbiously conflict. Constitutional government in America
intensifies the paradox. Insofar as American conseratism involves the
conservation of the Declaration of Independence and the Constitution —and
how could it now?— it puts a revolutionary doctrine and a founding
document, forged by men in the heat of the political moment and constructed
with numerous painful compromises, at the heart of the conservative mission.
(...)
Allitt does not seek to go beyond his role as a historian. Yet his learned
and fair-minded reconstruction lends support to the view that the proper way
forward for conservatives is neither greater purity nor a more perfect unity,
but a richer appreciation of the paradoxes of modern conservatism and a more
assiduous cultivation of the moderation that is necessary to hold
conservatism's diverse elements, frequently both complementary and conflicitng,
in proper balance.
According to Allitt, conservatism is, first, "an attitude to social
and political chance that looks for support to the ideas, beliefs, and
habits of the past and puts more faith in the lessons of history than in
the abstractions of political philospophy." Second, it involves "a
suspicion of democracy and equality." This can be divided into a concern
that the formal equality of men before God and law not be confused with
equality in all things, particularly virtue, and that too much government
power not be placed directly in the people's hands. Third, conservatism
reflects "the view that civilization is fragile and easily disrupted" and
therefore it teaches that "the survival of the republic presupposes the virtue
of citizens" and calls for "a highly educated elite as guardians of
civilization."
(...)
Like all traditions, the conservative one has harbored hypocrisy and spawned
characteristic vices. Conservatives, Allitt notes, have over the years
exploited and betrayed their principles, using them as a pretext to defend
social station and inherited wealth. And conservatives are particularly
susceptible, he notes, to the vices of "pessimism and complacency." But
unlike so many partisan critics of conservatism who are only too happy to
define conservatism by and dilate upon its worst moments, Allitt, without
sweeping its lapses and bad tendencies under the rug, seeks to understand
conservatism in light of its most thoughtful expounders and influential
practitioners.
(...)
Whether one views the New Deal "as a coordinated plan to rescue American
capitalism," or "as a set of ad hoc experiments to find ways of reducing
unemployment and stimulating recovery," or "as a project to transform
permanently the balance of power between state and federal governments,
augmenting government control over all aspects of national life," it
provoked, Allitt maintains, a remarkable change in the meaning of
conservatism as well as liberalism:
Until then, the term liberal had connoted giving citizens the
greatest possible liberty to pursue their own concerns while minimizing
government. From the New Deal onward, liberalism came to mean assigning
an ever larger role to government in promoting equality and
protecting citizens' health, welfare, education, employment, and access to
justice.
Moreover, "by the 1930s the defense of old-style or classical liberalism
—the heritage of Adam Smith and John Stuart mill— had become a
form of conservatism." One sees this in former president Herbert Hoover
and Ohio Senator Robert Taft, progressive Republicans who criticized
FDR's massive expansion of the federal government as a grave threat to
constitutional principles. And in the writings of Alfred Jay Nock
(1870-1945), particularly in the conservative classics Our Enemy the
State (1935) and Memoirs of a Superfluous Man (1943), one sees
as well a harsh critique of state intervention in the economy coupled with
a celebration of high culture and aristocratic virtue, a coupling that would
become a hallmark of the new conservatism of the 1950s and 1960s.
A self-consciously conservative movement in America came into existence in
the years following World War II. These conservatives were from the outset
a fractious bunch. Libertarians such as Friedrich Hayek (1899-1992), Murray
Rothbard (1926-2005), and Milton Friedman (1912-2006) focused on conserving
the idea of limited government (as a defend of freedom, Friedman considered
himself a liberal, and Hayek went so far as to deny that he was conservative).
Traditionalists such as Richard Weaver (1910-1963), Russell Kirk (1918-1994),
and Peter Viereck (1916-2006) were devoted to conserving religious faith and
conventional morality. The contending elements of the new conservatism were
united in though by opposition to the New Deal and to Soviet communism.
And they were united in practice by William F. Buckley (1925-2008), perhaps
the pivotal figure in making conservatism in America a respectable intellectual
force. With National Review, which he launched in 1955, he sought to
"set up a big tent, bringing in as many types of conservatives as possible,
and to keep them together despite their differences." He succeeded
marvelously, avoiding the quest for purity and for unity. In the early
years in particular his big tent excluded only isolationaists, which, Allitt,
shewdly points out, "put National Review in the paradoxical position
of hating big government in all areas except the one in which it was
becoming biggest of all, defense."
(...)
The struggle over these vexing matters drew new conservative factions into
the fray. Having come of age on the left in the 1940s and 1950s, the first
generation of intellectuals subsequently known as neoconservatives
modified their ideas in response to the social and political upheavals of
the 1960s. Led by Irving Kristol and Norman Podhoretz, they became forceful
critics of Johnson's Great Society initiatives, arguing that the empirical
evidence showed that government programs designed to help the poor were in
fact creating a culture of dependency which further mired its supposed
beneficiaries in poverty. And they were foreign policy hawks, animated by
a conservative sense of the dangerousness of the world and the vulnerability
of civilization and therefore the need for a strong military, while also
inspired by a progressive belief that America ought to promote liberty and
democracy abroad.
Around the same time the new Christian Right rose to prominence. These
mostly evangelical Protestants found their political voice in opposition to
the Supreme Court's 1973 decision in Roe vs. Wade. Focusing on
social values, especially marriage, children, and the family, the Christian
right established itself as an important player in national politics through
its role in 1980 in electing Ronald Reagan president.
In reality, the "Reagan Revolution," the culmination of 30 years of
conservative ideas and activism, was not a revolution a tall: It left the
New Deal largely intact, at best slowing the rate at which government
continued to grow. But it did provide a reinvigorated defense of free-market
capitalism, the political expression of which was the 1981 tax cuts, which
ushered in three decades of vigorous economic growth. It rejected peaceful
coexistence with the Soviet Union, which Reaganf amously dubbed the "evil
empire," in favor of pursuit of victory in the Cold War, a pursuit that was
rewarded in 1989 with the dismantling of the Berlin Wall and in 1991 with
the peaceful dissolution of the Soviet Union. And with the help of a cadre
of intellectuals nourished by conservative think tanks, which were
themselves supported by a network of conservative philantropists, it
renewed an appreciation for the wisdom and relevance of the founders'
understanding of the Constitution and the enduring principles of
self-government.
(...)
By the time, President George H. W. Bush left office in 1992, the two
greatest issues that had occupied the new conservatives since the 1950s had
been resolved. One —the defeat of communism— represented, from
the conservative perspective, a glorious triumph. The other —the
entrenchment of the New Deal as part of the American tradition—
represented for most conservatives an unfortunate reality that needed to be
accepted and dealt with even as many continued to wish, sometimes aloud, that
the reality were otherwise.
By the time President George W. Bush exited the White house, conservatives
seemed as confused as they had ever been about how to conserve the competing
elements of their tradition. If the history of conservative thought and
politics in America is a good guide about how to remain faifhtul to
conservative spriti, then conservatives ought to find the self-restraint
to resist the delusive lures of sectarian purity and harmonious unity. The
ambition to respect both liberty and tradition, and to moderate the
paradoxes that it brings, are as old as America. Indeed, they are
challenges inherent in a free and democratic self-government. To conserve
well, conservatives must renew that ambition and cultivate the moderation
that allows them to prosper with the paradoxes that it generates.
A New Assingment: Pick Books You Like
For many years teachers have been assigning books (the "classics") to kids
in order to imbue them with the love of reading and, at the same time, teach
them some of the most cherished values of our culture. Now some schools are
taking a different approach, letting kids read whatever they like, in the
hope that more of them will learn to love reading and not so many will be
put off by stories that don't speak to them or that they just find too
difficult to follow.
The approach Ms. McNeill uses, in which students choose their own books,
discuss them individually with their teacher and one another, and keep
detailed journals about their reading, is part of a movement to revolutionize
the way literature is taught in America's schools. While there is no clear
consensus among English teachers, variations on the approach, known as
reading workshop, are catching on.
In New York City many public and private elementary schools and some middle
schools alaready employ versions of reading workshop. Starting this fall,
the school district in Chappaqua, N.Y., is setting aside 40 minutes every
other day for all sixth, seventh and eighth graders to read books of their
own choosing.
In September students in Seattle's public middle schools will also begin
choosing most of their own books. And in Chicago the public school district
has had a pilot program in place since 2006 in 31 of its 483 elementary
schools to give students in grades 6, 7 and 8 more control over what they
read. Chicago officials will consider whether to expand the program once
they review its results.
(...)
Critics of the approach say that reading as a group generally leads to more
meaningful insights, and they question whether teachers can really keep up
with a roomful of children reading different books. Even more important,
they say, is the loss of a common body of knowledge based on the literary
classics —often difficult books that children are unlikely to choose
for themselves.
"What child is going to pick up Moby Dick?" said Diane Ravitch, a
professor of education at New York University who was assistant education
secretary under President George H. W. Bush. "Kids will pick things that
are trendy and popular. But that's what you should do in your free time."
Indeed, some school districts are moving in the opposite direction. Boston
is developing a core curriculum that will designate specific books for sixth
grade and is considering assigned texts for each grade through the 12th.
Joan Dabrowski, director of literacy for Boston's public schools, said
teachers would still be urged to give students some choices. Many schools
in fact take that combination approach, dictating some titles while letting
students select others.
Lisbeth Salander debe vivir
El escritor peruano-español escribe entusiasmado sobre la
trilogía Millennium, de Stieg Larsson, a la que compara con
Dumas o Dickens, a pesar de reconocer ciertas imperfecciones en su
estructura o estilo.
...acabo de pasar unas semanas, con todas mis defensas críticas de
lector arrasadas por la fuerza ciclónica de una historia, leyendo los
tres voluminosos tomos de Millennium, unas 2.100 páginas, la
trilogía de Stieg Larsson, con la felicidad y la excitación
febril con que de niño y adolescente leí la serie de Dumas sobre
los mosqueteros o las novelas de Dickens y de Víctor Hugo,
preguntándome a cada vuelta de página "¿Y ahora
qué, qué va a pasar?" y demorando la lectura por la angustia
premonitoria de saber que aquella historia se iba a terminar pronto
sumiéndome en la orfandad. ¿Qué mejor prueba que la
novela es el género impuro por excelencia, el que nunca alcanzará
la perfección que puede llegar a tener la poesía? Por eso es
posible que una novela sea formalmente imperfecta, y, al mismo tiempo,
excepcional. Comprendo que a millones de lectores en el mundo entero les
haya ocurrido, les esté ocurriendo y les vaya a ocurrir lo mismo que a
mí y sólo deploro que su autor, ese infortunado escribidor
sueco, Stieg Larsson, se muriera antes de saber la fantástica
hazaña narrativa que había realizado.
Repito, sin ninuna vergüenza: fantástica. La novela no
está bien escrita (o acaso en la traducción el abiso de jerga
madrileña en boca de los personajes suecos suena algo falsa) y su
estructura es con frecuencia defectuosa, pero no importa nada, porque el
vigor persuasivo de su argumento es tan poderoso y sus personajes tan
nítidos, inesperados y hechiceros que el lector pasa por alto las
deficiencias técnias, englosinado, dichoso, asustado y excitado con
los percances, las intrigas, las audacias, las maldades y grandezas que a
cada paso dan cuenta de una vida intensa, chisporroteante de aventuras y
sorpresas, en la que, pese a la presencia sobrecogedora y ubicua del mal, el
bien terminará siempre por triunfar.
(...)
Si uno toma distancia de la historia que cuentan estas tres novelas y la
examina fríamente, se pregunta: ¿cómo he podido creer
de manera tan sumisa y beata en tantos hechos inverosímiles, esas
coincidencias cinematográficas, esas proezas físicas tan
improbables? La verosimilitud está lograda porque el instinto de
Stieg Larsson resultaba infalible en adobar cada episodio de detalles
realistas, direcciones, lugares, paisajes, que domicilian al lector en una
realidad perfectamente reconocible y cotidiana de manera que toda esa
escenofrafía lastrara de realidad y de verismo el suceso notable, la
hazaña prodisiosa. Y porque, desde el comienzo de la novela, hay unas
reglas de juego en lo que concierne a la acción que siempre se
respetan: en el mundo de Millenium lo extraordinario es lo ordinario,
lo inusual lo usual y lo imposible lo posible.
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